Tag Archives: smell in art

“Fragrance artist Anicka Yi wins major art prize”(via Dazed)

The conceptual artist, who makes sculptures out of smell, has won the Hugo Boss Art Prize 2016

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Contemporary art is littered with examples of artists who have created work out of unusual materials: Damien Hirst used pickled animals, Marc Quinn used his own blood and Helmut Lang used 6,000 pieces of his archive – shredded – but the winner of the 20th Hugo Boss Art Prize employs something perhaps even more unorthodox: smell.

South Korean artist Anicka Yi, who works predominantly with fragrance, makes art that can be enjoyed by our sense of smell, as well as sight. “Smell is a form of sculpture, because it has a lot of volume,” she is noted to have said. Her works include That Fork Feels Good Sliding in My Mouth which comprises of a canvas made from a scented soap.

In winning the Hugo Boss Art Prize 2016, Yi not only receives the hefty sum of $100,000 but also gets the opportunity to stage a solo exhibition at major New York gallery, the Guggenheim. Opening in April of next year, the exhibition will be the artist’s first big show on US soil. . .

Read more at: http://www.dazeddigital.com/artsandculture/article/33466/1/fragrance-artist-anicka-yi-wins-major-art-prize

Le Courrier: C’est dans l’air

The Geneva newspaper, Le Courrier, has published an article by Samuel Schellenberg on olfactory art, C’est dans l’air!, which features the Scent Culture Institute and our Kunstmuseum Thun series, as well as olfactory artist Peter de Cupere, Mike Bouche’s The Zurich Load at Manifesta 11, and Museum Tinguely‘s “Belle Haleine: The Scent of Art. Continue reading Le Courrier: C’est dans l’air

Art Basel: Over-serving the Sense of Smell in Collecting Art

Once again, the most recent edition of Art Basel provided a fascinating journey through the remarkable highlights of 20th and 21st century. It was hardly surprising that the sensorium was focused on the visual. Yet, there is a little anecdote that connects nicely to other posts on the sense of smell in contemporary art worlds and our ongoing re-examination of the collection at Kunstmuseum Thun. Continue reading Art Basel: Over-serving the Sense of Smell in Collecting Art

From Sniffing to Art: The Sense of Smell in Artistic Production

In the context of the on-going re-examination of the collection at Kunstmuseum Thun, the first exhibition curated by Ashraf Osman and Anja Seiler focused on the olfactory aspects of the material and techniques of art making, which are often smelly, yet widely neglected. In this context, Claus Noppeney gave a talk on 16 March titled “From Sniffing to Art: The Sense of Smell in Artistic Production”. Continue reading From Sniffing to Art: The Sense of Smell in Artistic Production

Against the Scentless: Returning the Sense of Smell to the Arts

“…The arts world of the 21st century should take these innovations as a challenge to make resonant new works incorporating aromas, and not allow these tools to simply become devices for social grooming and more effective product placement. Continue reading Against the Scentless: Returning the Sense of Smell to the Arts

Olfactory Fatigue | Frieze

Pamela Rosenkranz’s Swiss Pavilion in Venice to the Serpentine Gallery’s own perfume, Alice Hattrick investigates the art world’s increasing engagement with scent. Continue reading Olfactory Fatigue | Frieze

Anna-Sabina Zürrer & The Search for the Essence

The newest (April) issue of the main Swiss art monthly publication, Kunstbulletin, features an article on Swiss artist, Anna-Sabina Zürrer, titled “Die Suche nach der Essenz” (The Search for the Essence) written by SCI’s Claus Noppeney and Ashraf Osman. Continue reading Anna-Sabina Zürrer & The Search for the Essence

“The Art of Scent & The Scent of Art” on ‘Perfumer & Flavorist’

A second look inside–and a different take on–a couple of art exhibits examining scent, by Ashraf Osman and Claus Noppeney: Continue reading “The Art of Scent & The Scent of Art” on ‘Perfumer & Flavorist’