Graphic designer Sarah Hyndman thinks that the shape of a letter can impact the way stuff tastes, smells, and sounds. To her, typefaces are multi-sensory experiences that affect the way we interact with the world around us.
What if every poem had its own fragrance, beyond the literal smell of the materiality of the page? What if one could smell a poet’s imaginative, conceptual, intellectual world, the text unfurling into an aroma? In Volatile!, curator and design historian Debra Riley Parr presents a number of objects and experiences that invite speculative connections between poetry and scent including our friend & collaborator Brian Goeltzenleuchter.