“The bottle of perfume, which Marthe […] nonchalantly holds in her right hand, is the all-important barrier and go-between, positioned at that point of confrontation where body and light touch as they dramatically push and pull against each other. The bottle is filled with a liquid as yellow as the wallpaper and as golden as the glowing radiance advancing from behind the window curtains. The perfume in its vessel is yet another form of light within the painting.” – RICHARD STAMELMAN
visualizing scent
Women play the central role as eyewitness at Jesus’ death, entombment as well as in the discovery of the empty tomb.
Oranges are native to China. In the late Middle Ages they were new to Europe. Andrea Mantegna was […]
“Durch Glas”, a project on the perception of scent by the Swiss-Canadian artist Christelle Boulé wins the Prix […]
“Seeing advertisements has never meant being able to smell the perfume; at the very best it elicits a desire to smell it.” – JEAN-CLAUDE ELLENA
Oranges are native to China. In the late Middle Ages they were new to Europe. Andrea Mantegna was […]
The Story of Ferdinand (1936) is a much acclaimed classic children book written by American author Munro Leaf and illustrated by Robert Lawson. This post reveals the fragrant (and so far ignored) message of the plot.
In diesen Tagen vor der Landtagswahl in Bayern verdient der amtierende Ministerpräsidenten Markus Söder besondere Aufmerksamkeit. Dabei überrascht ein Portrait mit Bezügen in die Bildwelt des osmanischen Reiches: Was also verbindet Markus Söder mit einem Sultan?
In the ongoing election campaign in the German state of Bavaria the neoliberal FDP tries to sell the political agenda with the whiff of a new car scent and triggers some controversy. What is “aseptic” about it as the FAZ argues? Is it authentic? Or is this a new step of fake politics?
The Story of Ferdinand also has a remarkable cinematic history: This post revisits the short animated film adapted by Walt Disney 1938 and reveals its craftmanship in showing olfactory practices.
The Story of Ferdinand is a much acclaimed classic children book written by American author Munro Leaf and illustrated by Robert Lawson. This post reveals the fragrant (and so far widely ignored) message of the plot. It is the first chapter in a new series Ferdinand& of Scent Culture Comment & Review.
The exhibition ‘It smells like… flowers & fragrances’, on view at me Collectors Room in Berlin from 14 April to 1 July 2018, reveals the undiminished potential of the visually rich subject of depictions of flowers and the subversive olfactory power of fragrances in contemporary art. The curator is Dr Heike Fuhlbrügge.
The entombment of Christ is one of several standard representations of Jesus’s suffering and death at the hands […]
Graphic designer Sarah Hyndman thinks that the shape of a letter can impact the way stuff tastes, smells, and sounds. To her, typefaces are multi-sensory experiences that affect the way we interact with the world around us.
There are different ways how to address smell in advertizing. Campaigns in perfumery are an obvious case. Moreover, we recently discussed how even negative feedback on the olfactory quality of a product is used in advertizing. The example of today stands out in a different way.