Oranges are native to China. In the late Middle Ages they were new to Europe. Andrea Mantegna was clearly aware of orange trees and their beautiful golden fruit when he created this fragrant image of the Holy Night, the Adoration of the Shepherds: The scene is set in an open...
Ferdinand & Smell culture studies (4)
The Story of Ferdinand (1936) is a much acclaimed classic children book written by American author Munro Leaf and illustrated by Robert Lawson. This post reveals the fragrant (and so far ignored) message of the plot.
Macht & Duft: Politiker als Nase
In diesen Tagen vor der Landtagswahl in Bayern verdient der amtierende Ministerpräsidenten Markus Söder besondere Aufmerksamkeit. Dabei überrascht ein Portrait mit Bezügen in die Bildwelt des osmanischen Reiches: Was also verbindet Markus Söder mit einem Sultan?
Wo bleibt der Duft? A new whiff of politics?
In the ongoing election campaign in the German state of Bavaria the neoliberal FDP tries to sell the political agenda with the whiff of a new car scent and triggers some controversy. What is “aseptic” about it as the FAZ argues? Is it authentic? Or is this a new step...
Ferdinand & the King of Happiness (2)
The Story of Ferdinand also has a remarkable cinematic history: This post revisits the short animated film adapted by Walt Disney 1938 and reveals its craftmanship in showing olfactory practices.
Ferdinand & the pleasures of olfactory perception (1)
The Story of Ferdinand is a much acclaimed classic children book written by American author Munro Leaf and illustrated by Robert Lawson. This post reveals the fragrant (and so far widely ignored) message of the plot. It is the first chapter in a new series Ferdinand& of Scent Culture Comment & Review.
Exhibition in Berlin: “It smells like… flowers & fragrances”
The exhibition ‘It smells like… flowers & fragrances’, on view at me Collectors Room in Berlin from 14 April to 1 July 2018, reveals the undiminished potential of the visually rich subject of depictions of flowers and the subversive olfactory power of fragrances in contemporary art. The curator is Dr Heike...
He suffered death and was buried
The entombment of Christ is one of several standard representations of Jesus’s suffering and death at the hands of the Romans. According to the Christian tradition Pontius Pilate granted Joseph of Arimathea permission to take Christ’s body down from the cross for burial. In addition, the gospel according to John...
Sensory typography: How does your letter smell?
Graphic designer Sarah Hyndman thinks that the shape of a letter can impact the way stuff tastes, smells, and sounds. To her, typefaces are multi-sensory experiences that affect the way we interact with the world around us.
Olfaction is the message
There are different ways how to address smell in advertizing. Campaigns in perfumery are an obvious case. Moreover, we recently discussed how even negative feedback on the olfactory quality of a product is used in advertizing. The example of today stands out in a different way.
Do the captives actually smell the fire?
A few days ago, I happened to come across this visualization of Plato’s thought provoking Allegory of the Cave. What the captives see and hear are shadows cast be objects they do not see. But what about the fire?
Smelly wheels: In search of alternatives
Visual representations of smell are one of the core themes of our presence on Instagram: Wheel, circle, and pie have recently appeared as recurring and influential visual metaphors. The fragrance wheel created by Michael Edwards is perhaps the most prominent example these days. But the history of visualizations demonstrates that...
How do you see scents?
The ephemeral materiality of scent eludes the conventions of visual representation. Instead, the specific sensory qualities of the sense of smell remind us of the many constraints of our snapshot society. Thus, one of the more recent projects initiated by Scent Culture Institute is an open collection of visual material...
Narratives describing smells
“The idea was to create simple still lives looking at the memory and history of different perfumes and creating a narrative to describe their smell through vessels, subtle textures and the balance of notes.”
Beyond “the Eye” of the Beholder: Scent innovation through analogical reconfiguration
“Constructing Meaning: Using Visual and Material Data” was the title of a Professional Development Workshop at the recent 76th Annual Meeting of the Academy of Management in Anaheim.
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