Wenn Düfte erzählen hiess es vom 26. Mai bis zum 2. Juni 2019 in Solothurn. Im Rahmen des Schweizerischen Nationalfonds Agora Projekts Smelling more, smelling differently an der Berner Fachhochschule gab es eine Eventreihe mit mehreren hundert Besuchern, die als innovatives Duft- und Literaturfestival in die Annalen geht: interaktiv, partizipativ & performativ. Die Entwicklung neuer Düfte wurde zuvor in zwei weiteren Nationalfondsprojekten in Bern aus einer Managementperspektive mit einem innovativen Methodenmix untersucht. Wenn Düfte erzählen erweiterte diese Ansätze für den Dialog mit der Öffentlichkeit. Hier ein Rückblick auf Präsentationen, Schreibateliers, Workshops, Lesungen und die Duftbar.
How can a scent be translated? How can a scent enhance creative practices? How can scents inspire creative practices? These questions guided an experimental course on scent/smell at Berlin University of the Arts in Berlin and one of the largest institutions of higher art & design education in Europe. The course offered by Scent Culture Institute was part of the universities liberal arts program in the spring/summer semester 2018. seminar.
Graphic designer Sarah Hyndman thinks that the shape of a letter can impact the way stuff tastes, smells, and sounds. To her, typefaces are multi-sensory experiences that affect the way we interact with the world around us.
Scent has so far remained largely sidelined into the context of the eighteenth-century novel. Reading Smell by Emily Friedman and published in 2016 provides models for how to incorporate olfactory knowledge into new readings of the literary form central to our understanding of the eighteenth century and modernity in general: the novel.
What do researches, thoughts, and reflections smell like? This is the question Maeva Rosset and Giovanni Sammarco explored.
Scents can be tough to describe in words, which makes them perfect for mood boards.
Iconic fashion photographer Nick Knight has created a conceptual film for the Comme des Garçons’ 2015 fragrance Floriental, released to SHOWstudio, his video website, this week.
Scents of Exile is an olfactory art project curated by Ashraf Osman in partnership with Syndicate and Givaudan. It takes as its point of departure an evocative text about memory, identity and nostalgia associated with scents of cities and places no longer accessible, from In the Presence of Absence by renowned Arab poet Mahmoud Darwish.
The Book of Scented Things collects poems reflecting the experience of selected vials of perfume.
The new exhibition at Tate Britain bringing in a master chocolatier, a scent expert and an audio specialist wants to change the way people interact with the paintings. Once again the new sensorium is widely covered by the media. It seems as if the cultural domain is deeply longing for this sensorial opening.