Wenn Düfte erzählen hiess es vom 26. Mai bis zum 2. Juni 2019 in Solothurn. Im Rahmen des Schweizerischen Nationalfonds Agora Projekts Smelling more, smelling differently an der Berner Fachhochschule gab es eine Eventreihe mit mehreren hundert Besuchern, die als innovatives Duft- und Literaturfestival in die Annalen geht: interaktiv, partizipativ & performativ. Die Entwicklung neuer Düfte wurde zuvor in zwei weiteren Nationalfondsprojekten in Bern aus einer Managementperspektive mit einem innovativen Methodenmix untersucht. Wenn Düfte erzählen erweiterte diese Ansätze für den Dialog mit der Öffentlichkeit. Hier ein Rückblick auf Präsentationen, Schreibateliers, Workshops, Lesungen und die Duftbar.
Do you remember the commercials that promote deodorants and openly appeal to sexist phantasies? Women are drawn in hordes to any male who has sprayed himself liberally with the deodorant – the “Axe effect”. The commercials have been known as the world’s sexist advertising campaign for many years.
Kunstmuseum has cooperated with Scent Culture Institute to explore its collection through the angle of scent. Following this cooperation Schnupperschau, a series of exhibitions, started a year ago. In celebration of the Schnupperschau olfactory series final exhibition, Kunstmuseum Thun is hosting a number of events.
For the fourth and final part of the exhibition series at Kunstmuseum Thun Habib Asal was invited to create an artistic installation that deals with fragrance and the museum collection.
Anja Seiler and SCI’s Ashraf Osman provide the making of story of the olfactory exhibition In the open air
Here are some snapshots of the ongoing exhibition at Kunstmuseum Thun.
In the context of the on-going re-examination of the collection at Kunstmuseum Thun, the first exhibition curated by Ashraf Osman and Anja Seiler focused on the olfactory aspects of the material and techniques of art making, which are often smelly, yet widely neglected. In this context, Claus Noppeney gave a talk on 16 March titled “From Sniffing to Art: The Sense of Smell in Artistic Production”.
This new exhibition series is as a re-examination of the collection of the Kunstmuseum Thun, in various ways, through the curatorial lens of scent. In the first part we focus on the material and techniques of art making, which are often smelly, but these scents don’t usually make it into the museum. In the following exhibits, we focus on other aspects of the collection; so stay tuned!
Scents of Exile is an olfactory art project curated by Ashraf Osman in partnership with Syndicate and Givaudan. It takes as its point of departure an evocative text about memory, identity and nostalgia associated with scents of cities and places no longer accessible, from In the Presence of Absence by renowned Arab poet Mahmoud Darwish.
What does scent have to do with art? At first glance, nothing, it seems. But scent has long been a part of art on many levels, and is increasingly so nowadays. From the materials and processes used to produce art to the subject matters of the work itself, scent—whether present physically or only in memory or the imagination—is part of the reality of art. In cooperation with the Scent Culture Institute, Kunstmuseum Thun is presenting a year-long series of four exhibitions at Projektraum Enter examining the sense of smell through the museum’s collection. Through the series, Projektraum Enter will act as an experimental place for olfactory exploration, from the what and how art is made, and how we perceive it, to the artistic evocations of smell, be they in still lives, city scenes, landscapes, abstractions, or the real world.