Marta Kwiatkowski is currently cuarting the art project 17,2m3 Bümpliz, which uses 3 identical transparent cubes to cultivate and concentrate a kind of collective cultural memory trough the interpretation of smell. The project will take place during the big city festival of Bern in August. The artists are Lea-Nina Fischer, Esther Tellenbach, Tamara Hauser, Selina Hofer, Salima Hänni, and Stefanie Janssen. The scents are created by Andreas Wilhelm.

The city of Bern runs a lively blog that monthly discusses business related issues in the economic area of the Swiss capital. Through it, a diverse selection of people from business, culture, civil service and society engage in public discourse. In this context, Claus Noppeney identifies “olfactory milestones” in the remarkable history of the city and shows how this tradition leads to current product innovation.

Explore the old town of Bern by nose: How does Bern smell today? What stories do the fragrant and the foul smells in the city tell? How does smell permeate life in the city?
The Urban Scent Walk explores the old town of Bern as a smellscape and an olfactory exhibition: informative, discursive, performative. The guided walk opens up unfamiliar facets in spaces of everyday life. The Situationists spoke of “dérive”, meaning the exploration of cities by wandering through varied environments: natural scents, cloying designer fragrances, fresh site-specific interventions, and cosmetic urban smells.
Odors are hardly ever specifically noted, although they interact with each breath: in a direct manner, volatile molecules produce the moods that characterize the atmosphere of the city. “Smells make it possible to identify locations and to identify with places,” says the philosopher Gernot Böhme. In other words, the nose brings experience that the eyes, mouth and ears are shut out of.