“I like to think that every perfumer considers his or her work an art, and that a desire to create constitutes the motives for his work, because the perfumer is the first to appreciate the emotional investment he or she has put into the project. Unless freely chosen, collaborations with other perfumers can only do the utmost harm to a project.” – JEAN-CLAUDE ELLENA
“The Perfumative. Perfume in Art and Design” was the title of an international conference at Zurich University of the Arts (8-10 November 2018). The conference seeked to open up a dialogue between perfumers, researchers, designers, and artists.
Germany will shut down its remaining black coal mines by the end of this year. This plan seals […]
If you haven’t seen this interesting talk by olfactory curator Chandler Burr about perfumery as a form of art, here is your chance.
In the context of upcoming research on the sense of smell in contemporary art practice, Ashraf Osman recently conducted interviews with two key players in the realm: Brian Goeltzenleuchter, an artist based in San Diego, CA, and Robert Blackson, a curator based in Philadelphia, PA. The interviews focused on the norms, processes, and institutions that promote or hinder the use of the sense of smell in art.