“I switch perfumes all the time. If I’ve been wearing one perfume for three months, I force myself to give it up, even if I still feel like wearing it, so whenever I smell it again it will always remind me of those three months. I never go back to wearing it again; it becomes part of my permanent smell collection…Odors are at once evocative and suggestive, redolent with significance.”
– ANDY WARHOL
“Good times equate with good smells: even cow manure smells great because it evokes such wonderful memories; conversely, bad times equate with bad smells.” – ANTONY SYNNOTT
Germany will shut down its remaining black coal mines by the end of this year. This plan seals […]
“Perfumes are the soft-focus lense on our rough daily existence. They are the invisible, user-friendly interface in daily human interaction. They are sheer present – yet we have unearthed their primordial past. They seem pure phenomenon – yet they contain memory, erratic and unpredictable. And although they seem to lend themselves so well to the game of pure simulation, they do have dark and uncanny origins.” – HANS RINDISBACHER
Scents of Exile is an olfactory art project curated by Ashraf Osman in partnership with Syndicate and Givaudan. It takes as its point of departure an evocative text about memory, identity and nostalgia associated with scents of cities and places no longer accessible, from In the Presence of Absence by renowned Arab poet Mahmoud Darwish.
Olfactory Memoirs challenges both emerging and experienced writers to reconstruct memories through the sense of smell.