Abercrombie & Fitch (A&F) has often been portrayed as an iconic case of scent marketing. It was one of the first brands to make scent a crucial part of its identity. Even Charles Spence, head of the Crossmodal Research Lab at Oxford, referred to A&F’s dominant multisensory experience as “very popular among younger shoppers“. In fact, following the opening of its flagship store in Tokyo, A&F employees reported in online discussions that trucks drove around the area and sprayed the streets with its signature fragrance, ”Fierce”.
However, among critical consumers A&F has already long been discussed as a negative example of how retailers manipulate sight, smell, and sound to trigger purchase behavior in consumers. The secret power of subliminal forces backfired as a perception of manipulation. Even Time magazine popularized a study, which argues that the cologne sprayed throughout the stores actually causes consumer anxiety. Building on the same study, a Fast Co. magazine even concluded that A&F should simply change its store signature scent.
This week, business media published the results of the most recent American Customer Satisfaction Index. A&F scored the lowest out of 22 specialty retailers. Forbes speaks of A&F as the most hated retailer in the US. Much has been written about the brand’s problematic overtly sexual advertising. But what Forbes and other media do not talk about is the role of the prominent use of scent and its promotion in a large part of the business community. It is high time to get beyond gut feelings and naive beliefs about the use of scent in service settings.
Spence, C., Puccinelli, N. M., Grewal, D., & Roggeveen, A. L. (2014). “Store Atmospherics: A Multisensory Perspective.” Psychology & Marketing, 31(7), 472–488. http://doi.org/10.1002/mar.20709
Art and culture have already received many responsibilities in their long tradition: they are to serve as an expression of the people, fascinate, inspire, and form their identity. But above all, they are to remind people of their sensual and aesthetic essence. Neither sensuality nor aesthetics stop at national borders, religious differences or political motivations. Sensuality and aesthetics are essential components that lie hidden in every human being and distinguish us as individuals.
Our time is especially marked through its mediality. Vision and hearing are well supported; but what about our sense of smell?
Sebastian Pralle, master student of Prof. Ulrich Eller at the Braunschweig University of Art, has just devoted in his exhibition “AETHER” to this question. In a light, poetic, almost filigree type, the artist calls on the viewers to engage their sense of smell, to train and rediscover it. The artworks consists of smell tones (ash, curry, earth and pine wood) laid into pieces of paper. Pralle developed the concept in close coordination with the architecture of the exhibition space of the Young Art Association. In this artistic installation based on the sense of smell perception, the audience is conceived as multi-sensory beings and the aesthetics of the odor are experienced as material product.
Read more (in German) at: http://flow-wolf.de/ausflugsziele/doras-veranstaltungstipp-aether-junge-kunst/
Researchers find that humans can navigate through smell alone—so why are we so dependent on screens?
Rats can create rich smell maps to find their way around the environment. Researchers have long known that. Less obvious: Humans, too, can navigate their world through smell alone, as a new study from UC Berkeley shows. So why aren’t more of our user interfaces tapped into our noses?
Read more at: http://www.fastcodesign.com/3047659/evidence/why-google-maps-shouldnt-forget-about-smell
The Paper Passion perfume conceived for Handmade 2011, which bottles the seductive scent of a freshly printed books, was inspired by a throwaway line by German publisher Gerhard Steidl in the film How to Make a Book with Steidl, which suggested his favourite scent was a ‘freshly printed book’. Wallpaper* asked him to work with avant-garde perfumer Geza Schoen to try and bottle that scent. Into the mix came Steidl’s friend and long-time collaborator Karl Lagerfeld, who designed the packaging and chose the name Paper Passion.
If the wisteria waterfalls of Brera’s Botanical Garden (or the charming spread of gleaming, golden Laviani animal statues dotted around) don’t get to you first, Be Open‘s Garden of Wonders will.
The international foundation of design and creativity has taken the world of fragrance to heady new heights with its latest project, a threefold approach to the world of fragrance. ‘It is our way of proposing an alternative way – through design – to preserve traditions by adapting them to contemporary challenges and eventually explore new possibilities for small brands,’ explains Be Open founder Yelena Baturina.
Scents can be tough to describe in words, which makes them perfect for mood boards.
For Haus Interior’s candle collection, the boutique interior design firm wanted a way to describe smells to online shoppers beyond mere words. So the company hired photographer Sully Sullivan to produce a collection of scent mood boards. Carefully curated, cleanly arranged objects fill in the emotions and contexts of a smell that words might miss.
Read more at http://www.fastcodesign.com/3041018/great-idea-mood-boards-for-smells/5
This article nicely resonates with a recent paper on the use of moodboards in perfumery: