At the beginning was actually not the Verb, but the Scent: for chemical detection was the communication tool used by the first bacteria appearing on earth, for food and reproduction.” –

CHRISTOPHE LAUDAMIEL, CHRISTOPH HORNETZ, BRAJA MOOKHERJEE & SUBHA PATEL

In the context of upcoming research on the sense of smell in contemporary art practice, Ashraf Osman recently conducted interviews with two key players in the realm: Brian Goeltzenleuchter, an artist based in San Diego, CA, and Robert Blackson, a curator based in Philadelphia, PA. The interviews focused on the norms, processes, and institutions that promote or hinder the use of the sense of smell in art.

Artistic research is an increasingly popular term to conceptualize research activities in the world of art & design universities. The concept highlights the epistemic aspects of artistic practices. Accordingly, certain artistic practices are driven by questions and aim at generating knowledge. Iconic cases from art & design history (e.g. Bauhaus) show that at least some artistic practices have been related to knowledge practices througout history. Thus, it might even be more a matter of terminology and explicit framing of that is a more recent phenomenon.